The Right to this City – Tim Beale The Right to This City is a body of work documenting my photographic research into housing inequality in Bath, one of the UK’s most expensive places to live. It also serves as a response to the Henri Lefebvre manifesto “The right to the city” which sets out…
The Boater Pub, 9 Argyle Street, Bath The function room, Monday 23rd September, 2019, 6 – 8.00pm We wish to invite contributors, members and guests to come along to mix and chat, maybe have a drink too. Contributors will receive their copies and there will be some copies for sale to those who are interested.…
After group discussions and soliciting preferences from meetings, the Showcase 4 production team have developed new and exciting proposals to enrich the publication. These include: 4 pages per contributor (instead of 2) Up to 6 of your best images Layouts to include contributor text help and guidance from a newly appointed book editor an ISBN…
All PhotoBath members are invited to contribute to the next installment of our annual group publication. Each edition represents a milestone in the groups development with examples of members work which have been selected from an internal panel with years of experience in judging, curation and print production. We continue to assess the best options…
There are still some copies left of the second PhotoBath Showcase book available featuring over 60 pages of members work and contact details. Only 100 copies were printed and only a few remain. Both Showcase #1 and #2 are available from Magalleria, Broad Street, Bath, at the regular monthly meeting or contact the team…
With the positive reception of our first group photo publication, Showcase 1, we are now fielding entries for Showcase 2. PhotoBath members are invited to confirm their interest in having their work appear in this publication. Could those interested respond by Monday 22nd May. We will then be able to look at the full costs of publication…
I consider my work is essentially a celebration of humanity, made with humanity as well as aesthetics in mind, catching fellow humans when relaxed, animated or thoughtful in public spaces. I often look for humour and irony in my subjects, but I do not shy away from sadder and more thoughtful images when they present…
It was the end of 2004 on the southwest coast of India in a small fishing village when i began my journey into photography. My teacher Sebran Dargent kept his instructions simple “photograph what you see”. These words gave me the freedom I needed to express myself and inspired the compassion with which I photograph.…
For a very long time photography appeared to me as an enclosed, even mysterious craft, one that involved dark rooms and unpronounceable chemicals, and skills that only a few individuals seemed to possess. Like a lot of other people, the advent of DSLR and then the increasingly hi-spec mobile photography systems enabled me to take…
My photography conveys otherness, estrangement and darkness; an outsider’s view of the world. I do not take flowery or colorful photos that show compassion or positivity. I want to forge moments that reflect my own world view, and show the darkness and fatalism that runs through me and others. I originally rejected taking photos of…